About Me

I did not begin photographing landscapes to describe them.

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From the beginning, my interest was elsewhere in atmosphere rather than accuracy,
in memory rather than geography,in the emotional weight a place can carry beyond what is visible.

Over time, this approach evolved into what is now widely referred to as Romantic Landscape —
a vision rooted in real places, yet shaped by imagination, symbolism and the search for the sublime.This language did not emerge from trends or formulas.
It was built slowly, through observation, solitude, and an obsessive attention to light, mood and silence.

My work stands at the intersection of photography, romantic painting and cinematic storytelling.
Landscapes are not treated as subjects to be recorded, but as presences to be interpreted  fragments of a world suspended between reality and myth.

Influence, when it happens, is rarely acknowledged in the moment.
Yet traces of this vision now echo quietly across contemporary landscape imagery.

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I continue to work quietly, refining a visual language that is not meant to follow its time, but to endure beyond it.